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#exposeonline

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Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "I guess it all started with The Nice, the idea of a trio of keyboards, bass, and drums doing a fusion of pop, rock, jazz, and classical, which then begat more groups like Ekseption, Triumvirat, and Trace, and hundreds more featuring a hotshot keyboardist flanked by a drummer and bassist and/or guitarist, some with vocals and some without. <a href="https://mas.to/tags/Tritonus" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Tritonus</span></a> was one such group who got their start in the early 70s..." <a href="https://mas.to/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="http://expose.org/index.php/articles/display/tritonus-tritonus-between-the-universes-3.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/tritonus-tritonus-between-the-universes-3.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "When the opening title track of <a href="https://mas.to/tags/Rulaman" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Rulaman</span></a>’s Death Whistle kicks in, you might think you’re in for a sludgy doom-fest. This is a plodding heavy riff that would get any stoner tossing the hair back and forth. Luckily, my salvation comes a minute and a half later, when the guitar drops out, an organ sneaks in and some nice clean vocals show up, complete with backing parts." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/PsychedelicRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PsychedelicRock</span></a> <a href="https://mas.to/tags/StonerRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>StonerRock</span></a> <a href="http://expose.org/index.php/articles/display/rulaman-death-whistle-2.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/rulaman-death-whistle-2.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "The 515+ page tome at hand concerns itself with one person, <a href="https://mas.to/tags/DonFalcone" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DonFalcone</span></a>, his many musical endeavors along life’s path, and all who shared it with him. One project in particular, his current project <a href="https://mas.to/tags/SpiritsBurning" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SpiritsBurning</span></a>, which not really a band, but the work of many composers, arrangers and musicians that come together mostly via long distances to create music together." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/BookReview" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BookReview</span></a> <a href="https://mas.to/tags/PsychedelicRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PsychedelicRock</span></a> <a href="https://mas.to/tags/SpaceRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SpaceRock</span></a> <a href="http://expose.org/index.php/articles/display/don-falcone-one-of-the-spirits-burning-3.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/don-falcone-one-of-the-spirits-burning-3.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "Following <a href="https://mas.to/tags/GoldenVoid" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GoldenVoid</span></a>’s last album in 2015, <a href="https://mas.to/tags/JustinPinkerton" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JustinPinkerton</span></a> began releasing music under his own name and also as <a href="https://mas.to/tags/Futuropaco" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Futuropaco</span></a>, the latter a culmination of all he had built on before, a <a href="https://mas.to/tags/psychedelic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>psychedelic</span></a> groove-based sound like no other..." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/PsychedelicRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PsychedelicRock</span></a> <a href="http://expose.org/index.php/articles/display/futuropaco-fortezza-di-vetro-volume-2-3.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/futuropaco-fortezza-di-vetro-volume-2-3.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "<a href="https://mas.to/tags/Ledley" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ledley</span></a>'s <a href="https://mas.to/tags/RaphClarkson" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RaphClarkson</span></a> (trombone, effects), <a href="https://mas.to/tags/ChrisWilliams" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ChrisWilliams</span></a> (saxophone, effects), and <a href="https://mas.to/tags/RiaanVosloo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RiaanVosloo</span></a> (electronics, post-production) produce <a href="https://mas.to/tags/ImprovisedMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ImprovisedMusic</span></a> that is mostly on the gentle side, without any frantic or chaotic turns, but full of timbral variety and subtlety." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExperimentalMusic</span></a> <a href="https://mas.to/tags/AvantJazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AvantJazz</span></a> <a href="http://expose.org/index.php/articles/display/ledley-ledley-2.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/ledley-ledley-2.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "On the debut album Delrei was the instrumental solo project of Alessandro Mercanzin, who played all of the instruments; obviously to pull this off in a live setting, additional musicians need to be added, so at Curtarock, Mercanzin played guitar and harmonica, while Giovanni Beghetto handled the drum kit and Davide Dalla played bass. Delrei‘s style could be categorized as instrumental <a href="https://mas.to/tags/SpaghettiWestern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SpaghettiWestern</span></a> soundtrack music..." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/ProjektRecords" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProjektRecords</span></a> <a href="http://expose.org/index.php/articles/display/delrei-curtarock-festival-2024-3.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/delrei-curtarock-festival-2024-3.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "In 2016 <a href="https://mas.to/tags/SteveHillman" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SteveHillman</span></a> met <a href="https://mas.to/tags/Hawkwind" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Hawkwind</span></a>’s legendary <a href="https://mas.to/tags/NikTurner" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NikTurner</span></a> and began work on the album Synchonicity, released the year after Nik’s passing on November 10, 2022. Nik kept working right up until the end on their second album, Space Angels, released on January 17, 2025." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/SpaceRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SpaceRock</span></a> <a href="https://mas.to/tags/PsychedelicRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PsychedelicRock</span></a> <a href="http://expose.org/index.php/articles/display/the-trance-dimensionals-space-angels-6.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/the-trance-dimensionals-space-angels-6.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "The <a href="https://mas.to/tags/FlyingNorsemen" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FlyingNorsemen</span></a> is most definitely not the same as Flying Norwegians, the long-running country-rock band. No, the Norsemen are more inspired by Pink Floyd, Nektar, and Hawkwind than CSN or the Flying Burrito Brothers. This debut album presents four tracks of <a href="https://mas.to/tags/SpaceRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SpaceRock</span></a>, with each LP side consisting of one track over ten minutes and one under— brevity isn’t their thing, but the songs don’t drag on too long." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="http://expose.org/index.php/articles/display/the-flying-norsemen-the-flying-norsemen-2.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/the-flying-norsemen-the-flying-norsemen-2.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "With nearly 35 years together as a band, no one can say that <a href="https://mas.to/tags/SailorFree" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SailorFree</span></a> has flooded the market with product, with only five albums to show for it. With the 18 years between their second album, The Fifth Door (1994), and third, Spiritual Revolution, Part One (2012), one might be forgiven for thinking that the band had called it a day. And now it's been nine years since Spiritual Revolution, Part Two (2016)..." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="http://expose.org/index.php/articles/display/sailor-free-spiritual-revolution-part-three-3.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/sailor-free-spiritual-revolution-part-three-3.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "I know there are lots of people who love the gentle, meditative music of <a href="https://mas.to/tags/Deuter" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Deuter</span></a>. He’s made an apparently successful career out of atmospheric melodies and serene chord progressions." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/NewAgeMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NewAgeMusic</span></a> <a href="http://expose.org/index.php/articles/display/deuter-mangata-2.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/deuter-mangata-2.html</span></a></p>
Exposé Online<p>We're happy to be premiering a new song by <a href="https://mas.to/tags/PiliCo%C3%AFt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PiliCoït</span></a>, "Mzi." It comes from a split release with the inimitable <a href="https://mas.to/tags/Yowie" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Yowie</span></a> on <a href="https://mas.to/tags/SkinGraftRecords" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SkinGraftRecords</span></a>. <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/AvantRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AvantRock</span></a> <a href="https://mas.to/tags/AvantProgressive" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AvantProgressive</span></a> <a href="http://expose.org/.../debut-of-new-pili-coit-song-mzi-2.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/.../debut-of-new-pi</span><span class="invisible">li-coit-song-mzi-2.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "A German quartet led by keyboardist and multi-instrumentalist <a href="https://mas.to/tags/HaraldSkorepa" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HaraldSkorepa</span></a>, <a href="https://mas.to/tags/Upperseption" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Upperseption</span></a> never released a proper LP during their years together, though they did leave behind a number of recordings; one set of recordings from 1970 is on a 2013 LP titled Cornicula, while a later group spanning the years 1972-1974 is present on the CD at hand, Neo Gourage." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="http://expose.org/index.php/articles/display/upperseption-neo-gourage-3.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/upperseption-neo-gourage-3.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "<a href="https://mas.to/tags/PujusOfJukra" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PujusOfJukra</span></a> is the Finnish <a href="https://mas.to/tags/prog" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>prog</span></a> trio of Tuomas Riekkinen (guitar, vocals), Sasu Tammelin (bass), and Jonne Turunen (drums). The eight unique songs with English lyrics showcase the Pujus’ mastery of different styles." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="http://expose.org/index.php/articles/display/pujus-of-jukra-tree-wishes-6.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/pujus-of-jukra-tree-wishes-6.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "After decades of neglect, the musical legacy of <a href="https://mas.to/tags/MaryLouWilliams" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MaryLouWilliams</span></a> (1910-1981) has lately started to get long-overdue notice. One of her major works was Zodiac Suite, written from 1942-1945, which blends <a href="https://mas.to/tags/jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazz</span></a> and classical influences in twelve pieces, one for each sign of the zodiac. Now pianist <a href="https://mas.to/tags/AaronDiehl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AaronDiehl</span></a> presents an arrangement for his trio..." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="http://expose.org/index.php/articles/display/aaron-diehl-zodiac-suite-2.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/aaron-diehl-zodiac-suite-2.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "Norwegian troubadour <a href="https://mas.to/tags/HaakonEllingsen" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HaakonEllingsen</span></a>... is decidedly influenced by the 60s baroque and <a href="https://mas.to/tags/PsychedelicPop" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PsychedelicPop</span></a> of The Beatles, The Beach Boys, The Kinks, The Byrds, and similarly inclined artists, though it remains uniquely his own work." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/PsychedelicRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PsychedelicRock</span></a> <a href="http://expose.org/index.php/articles/display/haakon-ellingsen-why-act-as-if-love-doesnt-exist-3.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/haakon-ellingsen-why-act-as-if-love-doesnt-exist-3.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "<a href="https://mas.to/tags/Primo%C5%BEBon%C4%8Dina" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PrimožBončina</span></a> is a minimalist guitarist and electronic musician who explores microtonalities and distortion timbres. His partner in crime, <a href="https://mas.to/tags/PhilMaguire" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PhilMaguire</span></a>, is a minimalist musician with an affinity for deep explorations of bass frequencies and intuitively determined harmonic series. Together, their shared enthusiasm for drone music and eternally sustained tones resulted in their debut release, Stone and Worship." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExperimentalMusic</span></a> <a href="http://expose.org/index.php/articles/display/primoz-boncina-phil-maguire-stone-and-worship-6.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/primoz-boncina-phil-maguire-stone-and-worship-6.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "I first encountered harpist <a href="https://mas.to/tags/IsabelleOlivier" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IsabelleOlivier</span></a> with her 2019 collaboration with Rez Abbasi called Oasis. On Impressions, Olivier’s harp is featured in a variety of settings, mostly acoustic, with strings, accordion, piano, and percussion. The sixteen tracks bring together elements of 20th Century <a href="https://mas.to/tags/ChamberMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ChamberMusic</span></a>, <a href="https://mas.to/tags/jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazz</span></a>, and what I think of as European cafe music with touches of experimentalism in a very pleasant way." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="http://expose.org/index.php/articles/display/isabelle-olivier-impressions-2.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/isabelle-olivier-impressions-2.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "Three voices: <a href="https://mas.to/tags/Ga%C3%ABlleDebra" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GaëlleDebra</span></a>, <a href="https://mas.to/tags/PatrickGuionnet" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PatrickGuionnet</span></a>, and <a href="https://mas.to/tags/MarylinePruvost" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MarylinePruvost</span></a>, along with skins, wood, and metal played by <a href="https://mas.to/tags/PeterOrins" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PeterOrins</span></a>. Sounds like something that could be pretty enjoyable, correct? Well, wait a minute now — those voices are screaming, bellowing, whispering, with cries, shouts, and whistles, making bizarre clicks and strange vocal sounds, and occasionally something that might be considered melodic..." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/AvantGarde" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AvantGarde</span></a> <a href="https://mas.to/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExperimentalMusic</span></a> <a href="http://expose.org/index.php/articles/display/almufaraka-master-of-disorder-3.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/almufaraka-master-of-disorder-3.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "First Wind is a curious artifact from the early 70s, relatively obscure but worthy of notice. I don’t remember when I first became aware of it, but hearing the opening track, “Ratsa (Don't Know Why),” hooked me in. Now <a href="https://mas.to/tags/ThinkLikeAKey" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ThinkLikeAKey</span></a> has brought it to wider release, with the addition of nine bonus tracks. The album is credited to <a href="https://mas.to/tags/RicottiAndAlbuquerque" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RicottiAndAlbuquerque</span></a>, the duo of <a href="https://mas.to/tags/FrankRicotti" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FrankRicotti</span></a> and <a href="https://mas.to/tags/MichaelDeAlbuquerque" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MichaelDeAlbuquerque</span></a>." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/JazzRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzRock</span></a> <a href="https://mas.to/tags/BluesRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BluesRock</span></a> <a href="http://expose.org/index.php/articles/display/ricotti-albuquerque-first-wind-2.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/ricotti-albuquerque-first-wind-2.html</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today: "In my 35 or so years reviewing recordings, you can bet I’ve come across some pretty strange albums, but this one ranks among the strangest. <a href="https://mas.to/tags/SopaBoba" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SopaBoba</span></a> is a Belgian/Dutch ensemble led by <a href="https://mas.to/tags/GWSok" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GWSok</span></a> (from The Ex and Oiseaux-Tempête, on spoken vocals), <a href="https://mas.to/tags/PavelTchikov" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PavelTchikov</span></a> (Ogives, on modular synths), and <a href="https://mas.to/tags/JeanVangebeergen" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JeanVangebeergen</span></a> (playwright), together with the participation of a neo-classical string quartet." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="https://mas.to/tags/AvantGarde" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AvantGarde</span></a> <a href="https://mas.to/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExperimentalMusic</span></a> <a href="http://expose.org/index.php/articles/display/sopa-boba-that-moment-3.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/sopa-boba-that-moment-3.html</span></a></p>