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Right now, Kits-Reimal and Kits play #Bach #Xenakis #Skalkottas #Vasks and #Ravel in #Tallinn https://buff.ly/4fY15mC #wch
buff.lyKits-Reimal and Kits play Bach, Xenakis, Skalkottas, Vasks and Ravel in Tallinn - Schedule // - www.worldconcerthall.comKatariina Maria Kits-Reimal, violin, and Marcel Johannes Kits, cello, play:
BACH: Invention in C major BWV 772/ Invention in C minor BWV 773/ Invention in D minor BWV 775/ Invention in E minor BWV 778/ Invention in F minor BWV 780/ Invention in A maj...
In 20 minutes, Kits-Reimal and Kits play #Bach #Xenakis #Skalkottas #Vasks and #Ravel in #Tallinn https://buff.ly/4fY15mC #wch
buff.lyKits-Reimal and Kits play Bach, Xenakis, Skalkottas, Vasks and Ravel in Tallinn - Schedule // - www.worldconcerthall.comKatariina Maria Kits-Reimal, violin, and Marcel Johannes Kits, cello, play:
BACH: Invention in C major BWV 772/ Invention in C minor BWV 773/ Invention in D minor BWV 775/ Invention in E minor BWV 778/ Invention in F minor BWV 780/ Invention in A maj...
Today, Kits-Reimal and Kits play #Bach #Xenakis #Skalkottas #Vasks and #Ravel in #Tallinn https://buff.ly/4fY15mC #wch
buff.lyKits-Reimal and Kits play Bach, Xenakis, Skalkottas, Vasks and Ravel in Tallinn - Schedule // - www.worldconcerthall.comKatariina Maria Kits-Reimal, violin, and Marcel Johannes Kits, cello, play:
BACH: Invention in C major BWV 772/ Invention in C minor BWV 773/ Invention in D minor BWV 775/ Invention in E minor BWV 778/ Invention in F minor BWV 780/ Invention in A maj...
Right now, Altstaedt plays and conducts #Haydn #Kurtág #Tchaikovsky #Veress and #Xenakis in #Perth https://buff.ly/3xI36mp #wch
www.worldconcerthall.comAltstaedt plays and conducts Haydn, Kurtág, Tchaikovsky, Veress and Xenakis in Perth - Schedule // - www.worldconcerthall.comNicolas Altstaedt, director and cello, and the Australian Chamber Orchestra play:
HAYDN (arr. strings): Seven Last Words of Christ (selections).
György KURTÁG (arr. strings): Officium breve in memoriam.
TCHAIKOVSKY (arr. strings): Rococo ...
In 20 minutes, Altstaedt plays and conducts #Haydn #Kurtág #Tchaikovsky #Veress and #Xenakis in #Perth https://buff.ly/3xI36mp #wch
www.worldconcerthall.comAltstaedt plays and conducts Haydn, Kurtág, Tchaikovsky, Veress and Xenakis in Perth - Schedule // - www.worldconcerthall.comNicolas Altstaedt, director and cello, and the Australian Chamber Orchestra play:
HAYDN (arr. strings): Seven Last Words of Christ (selections).
György KURTÁG (arr. strings): Officium breve in memoriam.
TCHAIKOVSKY (arr. strings): Rococo ...
Today, Altstaedt plays and conducts #Haydn #Kurtág #Tchaikovsky #Veress and #Xenakis in #Perth https://buff.ly/3xI36mp #wch
www.worldconcerthall.comAltstaedt plays and conducts Haydn, Kurtág, Tchaikovsky, Veress and Xenakis in Perth - Schedule // - www.worldconcerthall.comNicolas Altstaedt, director and cello, and the Australian Chamber Orchestra play:
HAYDN (arr. strings): Seven Last Words of Christ (selections).
György KURTÁG (arr. strings): Officium breve in memoriam.
TCHAIKOVSKY (arr. strings): Rococo ...
Xenakis - "Akrata"/ Penderecki - "Capricio For Violin & Orchestra" (1969)
#NowPlaying #Xenakis #Penderecki #Nonesuch #vinyl #vinylrecords @vinylrecords
There are lots of musical performances I wish I could have attended, and this is one of them #music #xenakis #linesofsoundmovingincomplexpaths
![•ll AT&T ? 5:27 PM At 2 1/2 minutes long and focused primarily on density, "Concret PH" was created in the Philips office in Paris (Varèse having exclusive access to the studio with spatialization capabilities established at the Philips Research Laboratories in Eindhoven) or at the Groupe de Recherches Musicales. The only sound source is burning charcoal, cut into one-second fragments, " with numerous transpositions and overdubs, a granular texture from which Xenakis creates a continuum. Using slight manipulation, the main techniques were splicing, tape speed change, and mixing. ' The piece was composed intuitively, rather than being guided by mathematical processes. ("' In the Philips Pavilion, it was projected over 425 loudspeakers through an 11-channel sound system. Xenakis described the effect as "lines of sound moving in complex paths from point to point in space, like needles darting from everywhere."[2] • en.m.wikipedia.org](https://cdn.masto.host/headssocial/media_attachments/files/112/278/075/982/682/619/original/a18a9f2eba99b442.jpeg "•ll AT&T ? 5:27 PM At 2 1/2 minutes long and focused primarily on density, \"Concret PH\" was created in the Philips office in Paris (Varèse having exclusive access to the studio with spatialization capabilities established at the Philips Research Laboratories in Eindhoven) or at the Groupe de Recherches Musicales. The only sound source is burning charcoal, cut into one-second fragments, \" with numerous transpositions and overdubs, a granular texture from which Xenakis creates a continuum. Using slight manipulation, the main techniques were splicing, tape speed change, and mixing. ' The piece was composed intuitively, rather than being guided by mathematical processes. (\"' In the Philips Pavilion, it was projected over 425 loudspeakers through an 11-channel sound system. Xenakis described the effect as \"lines of sound moving in complex paths from point to point in space, like needles darting from everywhere.\"[2] • en.m.wikipedia.org")
Here is Iannis #Xenakis writing in 1963 about reactions computer generated art (from Formalized Music: Thought and Mathematics in Composition
Right now, #Xenakis & #Eötvös with Sietzen #Farrenc and #Schönberg from #Potsdam https://buff.ly/4bDYXif #wch
In 15 minutes, #Xenakis & #Eötvös with Sietzen #Farrenc and #Schönberg from #Potsdam https://buff.ly/4bDYXif #wch
Today, #Xenakis & #Eötvös with Sietzen #Farrenc and #Schönberg from #Potsdam https://buff.ly/4bDYXif #wch